Making Trouble as Reaching Too Far

Yesterday in my Queering Theory course, we discussed making trouble. Making trouble comes in a lot of forms. In fact, there are so many different ways to think about making trouble that you could teach a whole class (and more than once) on the topic and barely scratch the surface (oh wait–that’s what I’m doing!). But seriously, the abundance of themes/topics/readings that fit in this category is making it difficult (troubling?) for me to narrow down my reading list for my troublemaking class next semester. But I am not complaining; trying to choose between too many ideas and really interesting books is a nice problem to have.

Nobody PassesAnyway, back to the point of this entry. For our discussion in Queering Theory yesterday, I chose Mattilda’s Nobody Passes. While this book offers one notion of troublemaking in terms of anti-assimilation and rejection, it does so in a wide range of ways by broadly interrogating the idea of passing and not passing in terms of “the ‘right’ gender, race, class, sexuality, age, ability, body type, health status, ethnicity–or as a member of the coolest religion, political party, social/educational institution, exercise trend, fashion cult, or sexual practice” (9). Some may argue that this broad approach is too broad, as Mattilda’s editor Brooke does when she tells Mattilda that “she’s worried that I’m [Mattilda] compromising the integrity of the book by ‘reaching too far beyond the parameters we’ve tried to establish'” (13). But Mattilda sees her broad reach as central to the book’s purpose. She writes:

the point of this book is to make people reach too far, to roll into critical, complicated, dissonant essays that grumble with uncomfortable revelation (13).

I like this idea of reaching too far. I especially like the inclusion of “too.” Reaching too far isn’t just a matter of stretching ourselves to think beyond what we know (to reach far). Reaching too far is about going past our limits in ways that may make trouble for us, but can also create connections and new possibilities for understanding and living in the world.

imagesAs I reflect on it more, the idea of reaching too far seems different than merely rejecting oppressive institutions or norms or ideologies. Instead of rejection, Mattilda seems to be engaged in transgression (as in crossing over and beyond). The idea of reaching too far as transgression reminds me of Foucault’s discussion of the limit-attitude in “What is Enlightenment?” Here is what he writes about it:

This philosophical ethos may be characterized as a limit-attitude. We are not talking about a gesture of rejection. We have to move beyond the outside-inside alternative; we have to be at the frontiers. Criticism indeed consists of analyzing and reflecting upon limits….The point, in brief, is to transform the critique conducted in the form of necessary limitation into a practical critique that takes the form of a possible crossing-over (315).

[the limit-attitude must be understood as one in which the] critique of what we are is at one and the same time the historical analysis of the limits imposed on us and and an experiment with the possibility of going beyond them (319).

I need to think through how to read Mattilda’s project in relation to Foucault’s limit attitude. How might thinking about nobody passes as a transgression instead of rejection shape our reading of Mattilda’s introduction (and the collection as a whole) differently? What are the differences between transgression and rejection?

36112119Note: As I was thinking about transgression and rejection, I came across a book by Ashley Tauchert, Against Transgression. I plan to check it out from the library today. In reading through the description, I was particularly intrigued by these three purposes of the book: 1. studies the origins of the contemporary proliferation of ‘Transgression’ in the compelling thought experiments of Georges Bataille, and follows its inauguration as a mode of legitimate critical practice via Michel Foucault; 2. tracks the author’s rejection of Transgression as a legitimate critical methodology following her mother’s death and her own maternal transfiguration; and 3. considers the place of grief in the transformation of thought.

How can it already be September 18th?

It seems like I am always asking questions like this: How can the summer be over? How can it be the end of the second week of classes? And, most important for this post, how can it already be just one week before I present at the FEAST conference? Earlier in the summer, I wrote an entry about this presentation; I “promised” that it would be the first in a series of entries in preparation for the conference. I wrote that entry on July 23rd. Now, on September 18th, a week before the conference, I am finally offering the second entry. I have been thinking about my paper (no, really, I have), but prepping for classes–putting together the syllabi, setting up the blogs, etc–took up a lot of my time in August and early September. Oh well, better late than never.

If you recall (and if you don’t, that’s okay, just look here to “remember”), my presentation is about the ethical possibilities in Judith Butler’s Gender Trouble, particularly in her project of trouble (which I describe as making, being in and staying in trouble–hmm…isn’t that the name of this blog?). In my first entry, I wrote about why I think it is important to consider the ethical import of Gender Trouble. In this entry, I want to focus on my conclusion and engage in a ‘lil bit of musing about what my project is–that is, what I want to do with the idea of troublemaking/troublestaying as a virtue.

In the manuscript I submitted last February, here is how I conclude my presentation:

In concluding this presentation on Butler and the ethical value of troublemaking, I want to make my own ethical gesture towards troublemaking as staying in trouble. Thinking about troublemaking as staying in trouble shifts our ethical attention away from developing the practices or rules that should always guide our troublemaking and towards cultivating qualities of character that encourage us to approach a wide range of activities with a troublemaking (that is, critical, thoughtful and questioning) spirit/ethos. One potentially fruitful way to think about this troublemaking spirit is as a feminist virtue, that is, as an ethical way of being, a mode of relating to the world, a quality of character, a disposition, or an attitude that influences our ethical/political understandings and shapes our ethical and political development. Thinking about troublemaking as a virtue encourages us to ask after how we should live as troublemakers and what kind of (moral and political) selves we need to be in order to stay in trouble. And, it enables us to value troublemaking as an important quality of the moral self.

Having run out of time in my presentation, I want to end with two final questions: What would a feminist ethical project that emphasizes the virtue of troublemaking look like and how does this project differ from one that emphasizes the virtue of care? How might troublemaking as a feminist virtue shift our understanding of feminist ethics and feminist virtue ethics?

One big reason that this conclusion is so brief is because my presentation is limited to a certain number of minutes–I have 40 minutes total, but that includes discussion and I am very interested in what people will have to say about my project. But even though my conclusion needs to be brief, I want to develop it a little more in the following ways:

Why virtue? A key part of my argument is that we should look at troublemaking as a virtue. But, why? What does thinking about it as virtue offer us that thinking about it in other ways doesn’t? I like thinking about troublemaking as a virtue because of the emphasis, within virtue ethics and virtue-talk, on quality of character/attitude/ways of being. For me, troublemaking is not easily defined by a practice (or set of practices). It is a approach–a critical/attentive/curious approach–to life (to ideas, to beliefs, and to practices, etc). In this way, we can’t simply say that the ethical value of troublemaking is found in this or that practice. Instead, we can talk about how our way of engaging in a practice (are we aware of the limits of that practice, are we attentive to the effects of that practice on others, are we open to other ways of practicing) enables us to be more or less virtuous. This approach allows for a more expansive definition of what counts as troublemaking (it is not reduced to any practice or practices) and provides for the opportunity to think through how a wide range of practices might be or might not be troublemaking in an ethical/virtuous sense.

My vision of troublemaking as an ethical attitude is partly inspired by Michel Foucault and his discussion of the limit attitude in “What is Enlightenment?.” He describes this attitude, which he also calls the “critical ontology of ourselves” as “an attitude, an ethos, a philosophical life in which the critique of what we are is at one and the same time the historical analysis of the limits imposed on us and an experiment with the possibility of going beyond them” (319).

It is also inspired by Audre Lorde and her linking of the erotic with excellence and eros in “The Erotic as Power.” She writes: “For the erotic is not a question only of what we do; it is a question of how acutely and fully we can feel in the doing” (54). And, “in the way my body stretches to music and opens into response, hearkening to its deepest rhythms, so every level upon which I sense also opens to the erotically satisfying experience, whether it is dancing, building a bookcase, writing a poem, examining an idea” (57). Focusing on character and excellence enables us to think about ethical practices differently; it centers our discussion on self-making and the cultivation of a self who can learn to practice ethical (and politically transformative) troublemaking everyday–in a wide range of practices.

And my vision of troublemaking as an ethical attitude is inspired by Maria Lugones and her discussion of the playful attitude in “Playfulness, ‘World-Traveling’ and Loving Perception.” In describing a game she is playing with a friend–they are throwing stones in the water–she writes: “The playfulness of our activity does not presuppose that there is something like ‘crashing stones’ that is a particular form of play with its own rules. Instead, the attitude that carries us through the activity, a playful attitude, turns the activity into play” (95). So the determination that something is playful is not based on the type of activity it is. Instead it is based on the selves-at-that-moment who do it and the spirit/ethos of their individual and/or collective doing. In this way, suggesting that troublemaking is virtuous is based not on what the activity is (protesting, violent rebellion, talking back in class), but on how it is being done. But, wait. I want to offer another clarification here. The “how” it is being done is not just about intention (what one’s purpose is for engaging in the troublemaking), it is also about attention or, more specifically, attentiveness (how one is aware of the effects of that activity, how one notices and thinks through the implications of their actions in doing the activity, how one takes care of and is responsive to the others engaged in or affected by the activity). [note: this idea of attentiveness is inspired by conversations with Naomi Scheman and Rebecca Moskow].

Now, in thinking about troublemaking as an attitude or approach to one’s actions, I am not suggesting that becoming someone who engages in virtuous making of/being in/staying in trouble is as easy as “changing your attitude” (which is a critique that Kelly Oliver levels at Lugones’ playful attitude in her book, Witnessing: Beyond Recognition). When we link the idea of attitude with character and excellence and virtue, we can see that troublemaking as a virtue is not something that we easily and immediately are able to do. Instead it requires tremendous effort: training, repeated practice (habit) and the striving for a balance between being deficient and excessive in one’s troublemaking practices.

In “Locating Traitorous Identities: Toward a View of Privilege-Cognizant White Character,” Alison Bailey discusses the value of cultivating a virtuous character (in this essay, the virtue she is thinking about is traitorousness or being-a-traitor). Here is a helpful example she gives for understanding how developing this process works (and particularly how it involves more than just doing practices with a certain attitude):

The activity of virtue resembles the workout example. Just as a person does not become fit by doing a series of sit-ups and then declaring, “There, I am fit!” so a person does not become virtuous by doing a series of good deeds and then declaring, “Finally, I am virtuous!” Virtue and fitness arise in the process of continually working out or doing good deeds. We become virtuous when we have the practical wisdom [developed through this habitual practice], to act courageously to the right degree, for the right reasons, and under the right circumstances (38).

I think there is a tremendous amount of value to be found in thinking through how a person or persons could be trained to practice troublemaking in political and ethically responsible ways. Virtue ethics, with its emphasis on character, training, practice, habit, gives us the language and framework for thinking through how to do this.

Uh oh. I have enjoyed writing this entry, but it is over 1550 words long. That is about 1350 words longer than I need for wrapping up my presentation. Maybe I should approach this differently…later. For now, I’m done.

Horton the caring troublemaking elephant who not only makes trouble but stays in it

So, STA used to be surprised by the crazy connections I would make between philosophers, critical theorists and popular TV and movies or how I could interpret and express my own everyday experiences through the words and theories of Judith Butler. Not anymore. For anyone else reading this blog, I offer this entry as a good example of how my brain works. In this entry, I contrast an ethics of troublemaking (inspired by Judith Butler) with a feminist ethics of care, sprinkle in some Michel Foucault (and his idea of the caring and curious masked philosopher) and apply it to Dr. Seuss and Horton Hears a Who. Crazy? Perhaps. Unique? Always. Without further ado, I bring you Horton as the caring troublemaker…

If you can’t see it, hear it, or feel it, it doesn’t exist. Our way of life is under attack. And whose leading that attack? HORTON! Are we going to let troublemakers like Horton poison the minds of our children? When Horton tells our children about worlds beyond the jungle he makes them question authority which leads to defiance which leads to ANARCHY!

These are the words of the Sour Kangaroo (but only in the movie–they aren’t in the book) as she implores the other animals in the jungle of Nool to help her stop Horton. She condemns him as a troublemaker who is out to destroy their way of life and to poison the minds of their children. But what is it about his actions that causes trouble for her? Why is she so angry and frightened and threatened by him? It is not just that he thinks differently or that he sees and hears things (like tiny worlds on small specks on flowers) that others don’t. It is that he refuses to fall in line and obey the rule of their society (at least according to the Sour Kangaroo): If you can’t see it or hear it or feel it than it doesn’t exist.

Horton is condemned as a troublemaker because he makes a choice to disobey what he finds to be wrong (as inaccurate and not properly reflecting his own observations of people on the speck) and unjust. So, the troublemaking part of his action is not only (or even mostly) that he is open to other ways of thinking about the world–ways that are counter to common sense like little worlds or specks that talk, but that he refuses to deny those ways and defiantly claims their value and humanity—a person’s a person, no matter how small. Fundamental to Horton’s troublemaking is a sense of justice and attentiveness to others who he witnesses being treated unfairly and/or that are in need of care. In this sense, he makes trouble by getting into trouble (thinking about the world differently, seeing worlds on specks) and then by staying in trouble (refusing to ignore or deny those specks).

Consider a scene early in the movie (the chapter is titled, “Making Trouble”) when the Kangaroo confronts and threatens Horton. She commands him to stop treating the speck as if it had a world on it and to tell everyone else that he was making it up. If he doesn’t, she warns, he will be in for an ugly fight (and big, big trouble). So, he better hand over the flower and the speck. His reply:

No! I can’t give it to you. There are people on this speck. Granted, they’re very small people. But a person’s a person, no matter how small.

In this scene, the real trouble for Horton is that he refuses to get himself out of trouble even when doing so puts him in danger of being ostracized or worse by the other animals. He stays in trouble not because he is eager to anger the Kangaroo or because he is bored and wants to make life more interesting (or thrilling) for himself. No, he stays in trouble because the alternative is to ignore the voices of others and to let them perish. To get himself out of trouble Horton would not only have to turn his back on the Whos, but he would have to deny that they ever existed. This denial (that is, the refusal to recognize this other world) would strip the Whos of their humanity/humanness. For, how could they have humanity if they don’t even exist, if they are only figments of Horton’s imagination?

What I find interesting about Horton’s troublemaking in this story is how it is inextricably tied to his passion for justice and his openness to other worlds and ways of being/living. This suggests that troublemaking (as in, making trouble for those in power, for the status quo, for rigid rules) can be motivated by something other than rebellion, destruction, or deliquency. Troublemaking is motivated by a sense of moral responsibility towards/for others, by an ethical need to work for more just societies, and by a desire to care (for and about) the world and all of its inhabitants (especially the smallest).

Yes, I think that in this film Horton is a great example of a caring troublemaker. We can see this care in a couple of different ways. In one sense, he is giving care to the Whos on the speck–he cares about their world and he takes care to ensure that that world remains safe and viable. But, there is another sense of care happening in this story–a type of care that is not just about the attention and the help that Horton gives to the Whos and their speck of a world. This type of care is not about specific actions but about an approach/attitude to the world; this type of care refers to the quality of one’s character as someone who cares and is curious about the different possibilities of life that our worlds offer.

In “The Masked Philsopher,” Michel Foucault describes curiosity and the care it suggests:

[Curiosity] evokes ‘care’; it evokes the care one takes of what exists and what might exist; a sharpened sense of reality, but one that is never immobilized before it; a readiness to find what surrounds us strange and odd; a certain determination to throw off familiar ways of thought and to look at the same things in a different way; a passion for seizing what is happening now and what is disappearing; a lack of respect for the traditional hierarchies of what is important and fundamental.

From the beginning of the story (in the book and both versions–1970 and 2008–of the movie) Horton exhibits the qualities of curiosity-as-care. Here, let me break it down in terms of the 2008 version. First, let me offer a scene from early on in the movie. Horton is trying to explain to the Sour Kangaroo why he is talking to a speck of dust on a flower:

Kangaroo: That’s absurd. There aren’t people that small!
Horton: Well, maybe they aren’t small. Maybe we’re big.
Kangaroo: Horton!
Horton: No, really. Think about it. What if there was someone way out there looking down on our world right now? And to them, we’re the specks.
Kangaroo: Horton! There is nothing on that speck!
Horton: But I heard.
Kangaroo: Did you, really? Ohhoho my. Then how come I don’t hear anything?
Horton: Well…hmmm…
Kangaroo: If you can’t see, hear, or feel something it doesn’t exist. And believing in tiny, imaginary people is just not something we do or tolerate here in the jungle of Nool.

Foucault: it evokes the care one takes of what exists and what might exist; a sharpened sense of reality, but one that is never immobilized before it
Horton:  Horton is interested in and attentive to the world around him and open to imagining new possibilities. His sharpened (and heightened) sense of reality enables him to hear the tiny cry coming from a small speck floating by as he is bathing in the stream. Instead of not hearing (or more common, hearing but refusing to listen), Horton listens and responds to the voice that signals the possibility of another world beyond his, a world that seems unimaginable within his world (with its empirical, physical and “natural” laws). He is not threatened or even incredulous at the possibility of a tiny world on a speck; it does not immobilize him. Instead it sparks his curiosity and his imagination about what lies beyond his own observations.

Foucault: a readiness to find what surrounds us strange and odd
Horton: Horton is ready and willing to be open to how our surroundings, such as flowers, trees, specks of dust, may not be what they appear to be. They may be strange and strangers to us (we don’t really know them or what they are).

Foucault: a certain determination to throw off familiar ways of thought and to look at the same things in a different way
Horton: Once he hears the voice and believes there that there is a small person on the speck, he is committed to never look at flowers and dust (or the world, for that matter) the same way again. He is committed to staying open to the possibility of other worlds (ones that are smaller and bigger than us).

Foucault: a passion for seizing what is happening now and what is disappearing
Horton: [a stretch perhaps?] Horton is unwilling to let the moment pass and the speck of dust and its inhabitants to perish. When he hears the small voice crying for help, he acts immediately.

Foucault: a lack of respect for the traditional hierarchies of what is important and fundamental.
Horton: Horton refuses to honor the jungle of Nool rule (at least as created and enforced by the Sour Kangaroo): If it you can’t see, hear, or feel it then it doesn’t exist. He steadfastly stands behind his (empirically unproven) claim that there are people on the speck of dust.

Now, this kind of care–the care for remaining open and interested/attentive to the world in its different permutations–is not often recognized as such. Maybe that is because care-as-curiosity is hardly ever about being careful. It is exhausting, dangerous and quite frequently gets us into trouble (and demands that we stay in trouble by being resistant to rigid rules and ready for new possibilities). But, what if we imagined the type of troublemaking and troublestaying that Horton is doing as an ethics of care? Then, could we begin to value (and honor and promote) troublemaking?

The time out as a liminal space of possibility?

So, I am using this blog as a way to work out different ideas I have about troublemaking–how it functions and how it is represented and understood within a variety of discourses and media. At a certain point–family members, friends, colleagues, students, acquaintences, random people on the street–grow tired of hearing me go on and on and on…and on about my theories/ruminations/rants of particular examples of making trouble and valuing troublemakers. That is where you, my dear blog, come in. You are my opportunity to squeeze every troublemaking drop out of an example (I haven’t even begun to tap into the possibilities of the Brady Bunch and “A fistful of reasons”). In that spirit, I want to continue my “critical exploration” of The Book of Timeouts.

Earlier today, I had a brainstorm while I was in the bathroom (Martin Luther, eat your heart out!).  I started thinking more about the link between troublemaking and punishment and kid’s troublemaking and time outs. One thought I had (and that I mentioned in my last entry), was: Do they need to be linked? Can we imagine the consequences of troublemaking to be good (transformative, leading to change) instead of all bad? That is a continuing theme of mine and one I will come back to again and again. But, after I finished my last entry, I started thinking more about the connection between making trouble (in all forms) and being punished. Then, I started thinking about the prison industrial complex and all of the important critical activist work that is being done on this crisis. So, I picked up a book by Angela Davis that I have been meaning to read all spring, Are Prisons Obsolete? In her introduction she ponders what it might mean to do away with the prison system and rethink how we address and deal with crime. Instead of reforming prisons or finding ways to create more of them, she wants to raise the question of “how to prevent the further expansion of prison populations and how to bring as many imprisoned women and men as possible back into what prisoners call ‘the free world'” (20). For many, that is a radical and inconceivable idea. How, exactly, could we go about doing this? Davis’ shift in emphasis would require a complete transformation of how we think about “criminals”, criminal activity and how to respond to it.

With that in mind, I started thinking about the time out and how it functions in terms of resolving (or at least dealing with) kid’s troublemaking behavior.  Consider how Lucke envisions it when she writes in her introduction:

You got more and more out of control. Finally someone like your mom noticed and said, ‘You need a time out!’ And suddenly, surprise!–you were on a little vacation from everyone else. In a corner, by yourself, where you could pout away until you could play nicely with others.

Lucke understands the time out implicitly and explicitly as a place of punishment and, in many of her examples, presents it as the equivalent of a prison cell. As a prison cell, the time out place (most often the dreaded time out chair) becomes a space of confinement that you are banished to when you do something wrong. You go to the time out chair not so much to settle down but because you did something that you need to be punished for. The time out chair takes you out of the action and out of the fun. It is meant to separate you from everyone else–from your friends, family, the world–as a reminder that you shouldn’t act out, you shouldn’t be too full of yourself, you shouldn’t step out of line.

The time out chair (and the idea of the time out in general) can be understood simultaneously as a threat (see kids, don’t behave like these bad troublemakers who got extra long time outs) to ensure that none of us actually do things we aren’t supposed to and as a means for wearing us down and draining us of our ability to resist and step outside of the system (so, you want to make trouble, huh? We will just lock you up until you come to your senses).  Whether it functions as a threat or a means of punishment, the time out (chair) is a necessary part of a kid’s moral education.

As I mentioned in my last entry, Lucke uses her different examples of troublemaking as moral lessons for her reader. The front flap makes the connection between troublemaker and moral lesson explicit: “Lucke showcases some of the world’s most famous troublemakers and proves that lessons can be learned from all of them”.  For each of these troublemakers, getting a time out (and often in the form of the time out chair) is a necessary part of growing up and learning what not to do. Don’t be too full of yourself (Hannibal). Share with others (Napoleon). Always apologize (Grace O’Malley). And, reading about what these other troublemakers allows kids to shape their good and improper behavior against the threat of punishment for bad behavior.

But, what if we thought about the time out space differently? What if we didn’t imagine and reinforce it as a fixed location for punishment, as a kiddy prison cell where you went when you misbehaved? What if we reimagined the time out space as a space of reflection and rumination, where a kid could ponder and process their thoughts and feelings and where she might be able to channel them in different ways? And, what if we imagined the act of a time out as not being experienced in a time out chair? What if we kept part of the goal of the time out (that is, to allow a kid to cool off and to stop the trajectory of their out-of-control actions), but didn’t connect that goal with punishment and got rid of the chair?

Would disconnecting the time out (as the process of stopping or tempering out-of-control behavior) from punishment enable us to think differently about how to deal with “bad” behavior? Would it allow parents to think differently about how to guide (instead of just disciplining) their kids? Would it give kids a different model for thinking about how and why they should develop strategies for dealing with their desires to disrupt and challenge authority? Would it require that we rethink moral education outside of the discipline and punish mentality?

Now, I need a lot more time to ruminate on this idea. I want to do a lot more (re) reading on punishment (Foucault, Davis, to name a few). I want to do a lot more researching on how the time out chair functions within the literature on child development. I want to think more about what this might mean for how I do my own parenting. And what this could mean for how we respond to the prison industrial complex.

I want to be very clear here: I am not suggesting that there is a simple (and direct) connection between children who are sent to the time out chair and prisoners who are sentenced to a prison cell. It is much more complicated than that. What I am suggesting is that the implicit and explicit connections we make between improper/out-of-control behavior, punitive consequences, and moral lessons begin in the time out chair and help to produce a society that becomes too dependent on prisons as the answer for “solving” crime and too dependent on punishment (or the threat of punishment) for developing morals and/or ethical codes of conduct. Troubling the time out chair and how it should/does function, could open up some new ways of thinking about how to deal with and understand disruptive, improper behavior. And it could open news way of thinking about how to develop and practice moral education for children.

Now, in ending my writing here, I haven’t even begun to answer the question I posed as the title of this entry: The time out as a liminal space of possibility? I guess that will have to wait as I continue to think through how to connect these thoughts that are swirling around in my head. Maybe I should spend some more time in the bathroom.

It worked for Martin Luther and Doc Brown (is that too obscure of a reference for you?), didn’t it?