Tag: Cornel West

Troubling (and queering) religion: a few sources

My academic background is in religion. Before getting a PhD in Women’s Studies at Emory University, I got a MA in Theology, Ethics and Culture at the School of Theology at Claremont and a BA in Religion from Gustavus Adolphus College. While my work has shifted away from religion/religious ethics in recent years, my early training and interest in religion has persisted and managed to remain a big influence on my thinking.

In the past few years I have felt increasingly compelled to bring that early training back to the forefront in order to give some serious attention to the connections between ethics, religion, queer theory, feminism and troublemaking. And yes, contrary to popular opinion, there are connections (and not just negative ones!). You can be feminist and ethical! You can believe in a queer God! You can even make trouble and proudly label it religious activity! What, don’t believe me? Here are just a few sources that support my claims:

album-the-troublemakerTHE TROUBLEMAKER
I came across this song when I was randomly googling troublemaking. I’m Learning to Share focuses on Della Reese’s version of it from 1971, but Willie Nelson also sang it on his gospel album of the same name.

Warning Spoiler Alert: The song is all about a troublemaker who had long hair, no job and refused to join the army. He and his friend were rebels who went from town to town stirring up trouble. He was eventually arrested, tried and given the death penalty. At the end of the song, he is hung from a cross. Whoah…What a twist. Jesus as a troublemaker? Okay, the song is a little cheesy, but the connection between troublemaking and Jesus-as-prophet is pretty cool.

This connection is not limited to popular music and the likes of hippy-loving Willie Nelson, however. Cornel West writes about deep democracy, the Socratic tradition and the prophets (prophetic pragmatism) in Democracy Matters. Incidentally, when I presented on Judith Butler and the virtue of troublemaking at the National Women’s Studies Association conference in 2007, my dad (a religion and ethics scholar) suggested that I explore the prophet-troublemaker connection. Thanks AEP!

QUEER CHRIST: TRANSFORMING ANGER INTO HOPE
Reverend Dr. Carter Heyward gave this sermon in 2004 at the Episcopal Divinity School. Very cool. Here is her definition of queer. A queer is someone who has an “irrepressible interest in making connections between justice struggles and making these connections public. Not hiding [their] convictions under a barrel. Not remaining silent when everyone around [them] would be more comfortable if they were…” and who does so with compassion and love. For Heyward, being queer is being confrontational and compassionate. It is to embody apparent (but only apparent) contradictions, to be angry (about injustice) and yet to love all of humanity at the same time. For Heyward, to be queer in this way is to embody Christ–who holds together qualities that only appear to be contradictions (but aren’t–and that simultaneous embracing of seemingly contradictory qualities is what makes Christ queer).

AlthausR_QueerGod-smllTHE QUEER GOD
Marcella Althaus-Reid wrote this book in 2003. I wanted to use it, or at least parts of it, in my Feminist and Queer Explorations in Troublemaking class this past spring, but I couldn’t find any room for it. I am still trying to figure how to squeeze in a chapter or two in Queering Theory this fall. Is this book accessible for non-theology, non-religion students? I am not sure. I need to read it more closely to make sure. Here is part of the blurb on the back of the book:

The Queer God introduces a new theology from the margins of sexual deviance and economic exclusion. …Inspired by the transgressive spaces of Latin American spirituality, where the experiences of slum children merge with Queer interpretations of grace and holiness, The Queer God seeks to liberate god from the closet of traditional Christian thought, and to embrace God’s part in the lives of gays, lesbians and the poor.

The first chapter of this book that I want to read is “Chapter 8. Demonology: Embodying Rebellious Spirits.” Seems like I might find some interesting connections with troublemaking here.

-1BODILY CITATIONS: RELIGION AND JUDITH BUTLER
This collection edited by Ellen T. Armour and Susan M. St.Ville was published in 2006 and offers a wide range of essays by scholars in biblical studies, ethics, theology and ritual studies on the religious significance of Judith Butler’s work. I am particularly interested in Claudia Schippert’s essay, “Turning on/To Ethics.” Schippert wrote another essay (in 1998) that I have just started entitled, “Too Much Trouble? Negotiating Feminist and Queer Approaches to Religion.” I hope to write more on this essay later. [In the process of looking up links for this edited collection, I found this queer theology bibliography. Must check some of these sources out later.]

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Queer hope: Is it possible when we have no future?

no-future-7977791I have started the laborious (yet fun–I am a nerd, remember?) process of figuring out what readings I want to include in my syllabi for the fall. Today I am thinking about my Queering Theory course. Ever since I found out about in the spring of 2008, I have wanted to give some attention to Lee Edelman’s No Future: Queer Theory and the Death Drive. In this polemic, Edelman argues for a queer ethics that is counter to “reproductive futurism” with its emphasis on building better futures for our children. He writes:

Indeed, at the heart of my polemical engagement with the cultural texts lies a simple provocation: that queerness names the side of those not ‘fighting for the children,’ the side outside the consensus by which all politics confirms the absolute value of reproductive futurism.

So, what does this mean and what are the implications for our ethical and political projects? Some unpacking of terms is needed here. Simply put, reproductive futurism is the belief that our participation in politics–indeed, the political itself–is motivated by a belief in and a desire for creating better futures for our children. We are, in Edelman’s words, always “fighting for our children.” Reproductive futurism suggests two things: a. there is a future that we can make better–that has “unquestioned value and purpose” (4) and b. that future is emblemized by the Child. For Edelman, this reproductive futurism is linked to heteronormativity (heterosexual as the only normal, natural, right way to be) and renders any alternatives (queerings) of communal relations/kinship/visions of resistance as unthinkable–how could you possibly be against fighting for the children?–and outside of politics. Wow, I hope that makes sense. Now, why does Edelman make this radical claim? Because queerness/queering is not possible in a politics of reproductive futurism, he wants to encourage the stepping outside its logic and into the space of refusal and negativity–the space of the death drive (warning: psychoanalysis alert!)–where there is no future.

I have only just (barely) skimmed the introduction and table of contents of this book, so I am having a difficult time explaining all of this in coherent, compelling and intelligible (non-jargony) ways. Clearly, I need to engage in a much closer reading of this text. The more I think about his ideas, the more I think I want to use this in my class. It raises some great questions for my own work and for one way I am thinking of organizing the course: What would it mean to think about political and ethical projects outside of this logic of better futures on behalf of our children (especially for those of us who are parents and/or are heavily invested in children/youth)? What could a radically negative politics looks like? Are negativity and a refusal to engage in political projects aimed at transformation or ethical projects aimed at striving for the good what queer is essentially about? Is the only way in which to imagine a queer ethics negatively and in opposition to any claims, normative or otherwise?

halberstamIn what I have skimmed so far, Edelman seems to be theorizing queer theory in relation to time (queer time = no future, no linear progression) and space (queer space = outside of politics/social) which makes me think of Judith Halberstam’s In a Queer Time and Place. In this collection of essays, Halberstam explores queer time and queer space in order to shift the perspective on queerness from an identity or set of activities to “a way of life” (1). I am fairly sure that I want to use several chapters out of this book as well. Now I just need to think about how to put them in conversation with Judith Butler, who remains a big focus of the class.

Final thought: It seems appropriate to follow my last post on Michael Jackson and hope (both the loss of it and how we might rethink it) with this one on no future and the death drive. There are some significant connections between my comments about Jackson (and my reference to k-punks posting on him) and any thinking through of Edelman’s idea of no future (which k-punk also writes about here four years earlier!). One connection between No Future/critique of reproductive futurism and Michael Jackson is found in k-punk’s post. K-punk writes:

Certainly, Edelman explicitly identifies the logic of reproductive futurism as ‘poptimism’, whose ‘locus classicus is Whitney Houston’s rendition of the secular hymn, “I believe that children are our future”, a hymn we might as well make our national anthem and be done with it.’ (143) In fact, though, ‘We are the World’ might be the better choice for reproductive futurist anthem: we are the world, we are the children (therefore it is OK for us to bomb other people’s children – because they aren’t the Future.)

Wasn’t “We are the World” a central part of the recent tribute to MJ? Interesting… In case you don’t yet have the song in your head, here it is:

There is another connection with which I want to end this post. The idea of no future, at least at first glance, indicates that we need to function without hope. If there is no future (no better world on the horizon), there is no hope that things will be different. Because isn’t hope a futural term? Edelman seems to be rejecting the possibility for queer hope. But is hope fundamentally counter to queer? Can we imagine these things together? In my last post, I pointed to Cornel West and his tragic hope as one that is counter to the vision of hope as innocent (the Child?) and naive. But is his notion of tragic hope entrenched in a heteronormative (non-queer/anti-queer) vision? After all, he is very invested in defending and revaluing parents. Hmmm…Queer hope. A future article, perhaps?

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Michael Jackson, the 1970s version (pre-MTV, pre-surgery, pre-loss of hope, pre-spectacle)

So I am a little late (as usual) in commenting on the very sad death of Michael Jackson a couple of weeks ago. I never expected to write anything about it. What could I say about this that hasn’t already been said? What could his death/his tragic decline have to do with making and staying in trouble? Not much when you think about trouble as a positive, virtuous and potentially transformative attitude or set of practices. But, I do see a connection between Michael Jackson’s increasingly disturbing behavior and one common (and primarily negative) way of understanding trouble. For lack of a more clever way of putting it, Michael Jackson was troubled (in a worried, disturbed state) and his behavior/lifestyle/body/what he seemed to represent was troubling (worrisome, problematic, not quite right) to us.

There are all sorts of ways in which Jackson remains troubling to many of us–his family life, his behavior, his body–all raise questions for us: Just how many plastic surgeries can one body have? What kind of father could he possibly be? Why won’t he ever grow up? But, these questions don’t get at why I am (and have been for a while) troubled by Michael Jackson. For me, the most troubling set of questions revolve around this: What happened? What happened to him, and, more importantly, what has happened to us? What was lost when Michael went from a talented dancer and musician to a MTV spectacle and tabloid freak? And, what does this loss signify?

In their reflection on Jackson, k-punk laments the disturbing shift in Jackson (as musician, as person, as body, as image) from Off the Wall to Thriller. Jackson the wide-eyed, youthful, hopeful, happy, exuberant body in motion in the throes of disco-era Off the Wall becomes transformed (or distorted?) into the living dead, hyper-commodity, MTV staple, tabloid spectacle brought on by the enormous success of Thriller. While k-punk is disturbed by the juxtaposition of the images of Off-the-Wall Michael with Thriller Michael, there is an earlier image of Michael that has haunted me for several years now.

When I grow up, I’m gonna be happy and do what I like to do,
Like making noise and making faces and making friends like you.
And when we grow up, do you think we’ll see
That I’m still like you and you’re still like me?
I might be pretty; you might grow tall.
But we don’t have to change at all.
spoken: I don’t want to change, see, ’cause I still want to be your friend, forever and ever and ever and ever and ever.

In 1974 Jackson appeared on the ABC television special, Free to be…you and me. Singing with Roberta Flack on “When We Grow Up,” Jackson is sweet and funny and, most importantly, full of life and hope. For me, this song captures the (perhaps naive) hope and promise that some (but definitely not all) 1970s social justice movements against racism and sexism often exuded. When I watch Free to be…you and me I am always amazed at its hopeful and anti-cynical belief that anything was possible, that the freedom to be and love and do what you want was waiting for all of us if we just worked together as “Brothers and Sisters.”

Many may argue that this belief in the possibilities of a better (read: more just, more “free”) world is too naive and uncritical. Indeed, the hope represented in this special and in Jackson’s song with Flack do seem a bit too pollyannaish and ignore-ant (yes, I just made up my own word: to ignore + to be unaware = ignore-ant) of the real things that get in the way of a better present and future. But, is this the only way to think of hope and possibility? Can we be hopeful and troubled/troubling/willing to trouble at the same time? For me, one of the real tragedies that Jackson’s shift from 1974 Michael (the year I was born) to 2009 Michael is the replacement of all hope and possibility with ironic distance and cynicism. Is it really an either/or situation here? Must we either have uncritical and naive hope or realistic and thoughtful cynicism? Can’t we be both hopeful and critical, aware of injustice but still willing to believe that better futures are possible? And, is the progression of our lives (much like Jackson’s) a gradual move from hopefulness to hopelessness, from innocence to bitterness or freakishness?

What other visions of hope can we imagine/express/believe in? The prophetic pragmatism and tragic-comic hope of Cornel West or the visionary pragmatism of Patricia Hill Collins are good places to start…

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