Writing Projects

Fragments of Grief, part 5

Here is the fifth and final fragment that I place beside the others in my experimental essay of living and grieving beside Judith. In the manuscript, I titled this final fragment: There is no conclusion, only another fragment to place beside the others.

There is a more general conception of the human at work here, one in which we are, from the start, given over to the other, one in which we are, from the start, even prior to individuation itself, and by virtue of our embodiment, given over to an other: this makes us vulnerable to violence, but also to another range of touch, a range that includes the eradication of our being at the one end, and the physical support for our lives, at the other (Butler, Undoing Gender 23).

Butler devotes her attention in Precarious Life, Undoing Gender and Frames of War to how the recognition of our vulnerability in the midst of others often results in very violent, yet always failed attempts to deny or conceal it. But, albeit briefly, she offers the possibility of another way of thinking about and responding to our vulnerability as caring for and being in loving proximity to one another.

The night before her big surgery, the one that would determine whether she lived (for how long?) or died (on the operating table?), my mom was scared. She really hated doctors and hospitals. And she didn’t want to die. My oldest sister asked her if she would like to cuddle with her three daughters on the bed. She agreed, and together we–the three daughters and Rosie J, still in my womb—laid beside Mom. We held her as we waited, not knowing what would happen next.

My living and grieving beside my mom Judith and my daughter Rosemary Judith has enabled me, through joy and sadness and life and loss, to bear witness to the potential of this second non-violent meaning of vulnerability and to imagine the ethical potential of grief to be found not so much in what we have lost—a loved one–but in what we have gained—the recognition that we have the potential to love and be loved, to care and be cared for.

My thoughts: Originally I had planned to end this essay with a (somewhat dry and straightforward) conclusion about what I had done in the essay and how I had used Butler. Somehow that just didn’t seem to fit with the rest of the essay. It was too abstract and removed and I didn’t think I had the energy for or the interest in making sense (abstractly or meta-theoretically) of the fragments and their expressions of my living and grieving. I thought of the Butler passage (the one that I use above) and suddenly the story about the bed came to me. The idea of touch and physically being connected seems central to thinking about care (care-giving, care-receiving, caring about, keeping vigil) in relation to living and grieving beside those who are dying (and those who are living in the midst of death and dying). I know I have much more to write about these connections and what they mean for me, both in my struggles to make sense of how I cared/failed to care for my mom and/or my daughter and in my critical efforts to reflect on what care is and could/should be. For now, I will take a break from this project. I will place it beside me as I work through (and on) other ideas about troublemaking, care, blogging, curiosity and feminist virtue ethics.

To be continued…

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Fragments of Grief, part 4

Here is the fourth of five fragments that I place beside each other in my experimental essay on living and grieving beside Judith:

…it becomes a question for ethics, I think, not only when we ask the personal question, what makes my own life bearable, but when we ask…what makes, or ought to make, the lives of others bearable (Undoing Gender, 17)?

Butler connects her theorizing of grief to the question of what makes life bearable and livable. Distinguishing the livable life from the basic material conditions that make life possible, Butler wants to think about how and when lives are and aren’t deemed recognizable and worthy of life and of being grieved (Undoing Gender, 39).

I was never afraid to lose my mom. Okay, that’s not true. Before my mom was diagnosed I couldn’t imagine how I could ever live without her. Her death was the one I feared most, even more than my own. Yet once I learned she would die soon, it wasn’t her impending death that made me come undone; it was her life and what would it mean for her (and for me) if she lived, without half of her stomach, always haunted by death, not knowing when the cancer would come back or when she would no longer be able to walk. As sad as knowing she would die soon made me, I knew I could handle her death. I wasn’t sure that I could handle her painful, yet inevitable, journey towards it.

Butler contrasts her notion of the livable/bearable life with the good life and argues that the good life is only available to people whose lives are already possible and recognizable and who don’t have to devote most of their energy to figuring out ways to survive and persist (Undoing Gender, 31-32). For her, the question of the livable life must necessarily precede the question of the good life, because to strive for a good life, one must first be recognized as having a life (Undoing Gender, 205).

My mom started falling down a lot. It wasn’t safe for her to be alone. The decision was made to begin hospice care. She was no longer living with cancer; she was dying from it. She had entered the final stage. Any thoughts about a cure or remission—that hope for a good life to be achieved again in the future—was replaced by practical discussions of how to ensure that she continued to have a comfortable life that was free of pain. The good or even livable life were no longer possible for her. The best she could hope for was the bearable life. And what she could expect (and eventually did reach) was something that seemed even less than the bare minimum requirements of life. Yet, even as I witnessed her decline and the resultant shift from good to livable to bearable to unbearable life, I can’t really make sense of her experiences of those last four years (or even the last six months) as just surviving until the inevitable. Up until those last days, years after she was supposed to die, she lived and, in moments, however fleeting, flourished. She enjoyed life, she laughed, and she loved her daughters, her grandchildren and my dad.

What makes for the livable life? How do we distinguish that life from ones that are merely bearable or others that flourish? Who gets to make this distinction and how do they do it? My mother’s living and dying with pancreatic cancer pushed at the limits of my understandings of life and how and when it is possible.

Some questions prompted by this fragment: This idea of the livable vs the good life speaks to my interest in virtue ethics. What would a virtue ethics based on the livable life as opposed to the good life look like?

I am struck by the slippage  in Butler’s text between the livable and bearable life. What are the differences between these two forms of life? How did my mom, as she attempted to balance her medications and struggled to cope with ever-decreasing mobility, slip between the livable and bearable life?

How does thinking about my experiences living and grieving beside my mom in relation to the livable life (as opposed to the grievable life) shift my perspective on the entire process? What links can I draw between the livable life and care giving and receiving? In the context of a person living and dying with pancreatic cancer, what types of care are required for the livable life?

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Fragments of Grief, part 3

Here is the third of five fragments that I place beside each other in my experimental essay on living and grieving beside Judith:

I think one is hit by waves, and that one starts out the day with an aim, aproject, a plan, and one finds oneself foiled. …Something takes hold, but is this something coming from the self, from the outside, or from some region where the difference between the two is indeterminable? What is it that claims us at such moments, such that we are not the masters of ourselves? In what are we tied? And by what are we seized (Undoing Gender, 18)?

Central to Butler’s understanding and promotion of grief is the idea that grief interrupts life as we know it or as we think we know it. Hit by waves of sadness and loss, we come undone and are forced to recognize our own dependence on others and our vulnerability in the midst of those others. This recognition is described in relation to loss: the loss of certainty, loss of autonomy, and loss of control. Butler envisions these feelings of loss as having the potential for opening us to new ways of being human and of forming connections with others.

The social worker told us that we needed to let our mom know it was okay to let go. We needed to tell her that she had our permission to die. One of my sisters planned a big dinner for mom and the three of us readied ourselves for the painful conversation. Just before dinner I turned on some music–The Sound of Music. Spontaneously I, sometimes with my two sisters joining in, performed the entire musical. At one point, maybe when I was singing “The Lonely Goatherd,” I realized that this was one of those big moments in my life. My mom may have been dying, but she was laughing too. Well, at least her eyes were laughing. And we were all having a lot of fun. Towards the end of the album, when Mother Superior sings “Climb Every Mountain,” I hit the high note! I mean, I really hit the high note–vibrato and all. We laughed and laughed and then brought our mom her dinner, forgetting all about the painful conversation we were supposed to have.

Sometimes life interrupts grief, not the other way around. Our best intentions of properly grieving are undone. Our attempts at making sense of how grief is supposed to be are troubled by life’s persistent refusal to stop happening. To have our belief in self-mastery and autonomy be interrupted by someone or something greater than us doesn’t always just signal loss and demand that we grieve; it can also signal life and joy and invite us to laugh and to live.

My mom was diagnosed with stage four pancreatic cancer in mid-October 2005. I was about 18 weeks pregnant with Rosie. A few days before I drove to Chicago to see her, maybe for the last time, I had an ultrasound. I found out that my baby was a girl. When I arrived at my parent’s house, I told my mom that she was going to have another granddaughter named after her: Rosemary Judith. I was fairly certain that my mom would never meet Rosie J; the doctor had indicated that she might only have six weeks left. Six months later, my mom took a break from chemotherapy to visit us and meet her new granddaughter. From the moment she was born, Rosie exuded life and joy. Her spirit and joy of life were amazing and infectious; she compelled you to engage with her and the world, whether you wanted to or not.

There is something else that resides next to (beside) and in addition to (besides) grief as we struggle to make sense of our human vulnerability and the ways in which we are done and undone by others; joy is another “one of the most important resources from which we must take our bearings and find our way” (18). While Butler briefly mentions the importance of joy, in the form of pleasure, she focuses her ethical and political project almost exclusively on grief. As I found out the night I sang with my sisters and as I am repeatedly reminded as I look at Rosie J, grief and joy reside in the midst of each other and sometimes in spite of each other.

More of my thoughts on this fragment: For the past several years now I have become increasingly interested in the importance of joy/playfulness/laughter as forms of productive troublemaking, critical thinking, and resistance/transformation. I want to think about how joy functions in the midst of struggle/grief/resistance instead of thinking about it as either: a. as something that is not possible in spaces where one is merely trying to survive and b. as something that only exists to provide comfort or a respite from intense grief and/or struggle. [note: having written and read extensively about joy in relation to Luce Irigaray, and to a lesser extent Cixous and Kristeva, I am not so interested in thinking of joy as jouissance and reading it primarily as pleasure--although I do believe that that is a valuable project/set of projects].

In the case of the night I sang for my mother/with my sisters, I want to read the joy that we experienced as more than a survival tactic or something that could provide a temporary break from the harsh reality of my mom’s impending death and the conversation that we needed to have about letting go. It seems to me that something deeper was going on, something that speaks to the significance of joy as that which can and does exist in the midst and independently of grief. This joy doesn’t happen in order to lessen our grief or to cope with it, instead it just happens at the same time we are grieving.

Addendum from June 3, 2010: This summer I am fortunate enough to have two writing partners to work with/be inspired by. Yesterday I discussed this section with one of them and they (Z) had a great critical comment about the joy section. Z said that she was missing the joy in this section. Instead of showing it, I simply wrote about it. She also asked, what do you mean by joy? These were very helpful comments.

My idea of joy is somewhat akin to Audre Lorde’s vision of the erotic in “The Erotic as Power” and Maria Lugones’ notion of loving playfulness in Playfulness, World-Traveling and Loving Perception”. I see joy as being fully present in life and living. To me, joy is oriented towards life, while grief is oriented towards death. More on this later…

Z thought I wasn’t able to fully convey joy in my Sound of Music fragment. I agree and I realized why. The joy in that passage still seems to be too much about grief–that moment doesn’t really interrupt the grief; it is a part of it and the process. My vision of life interrupting grief is much more connected to my experiences with my daughter Rosie J–experiences that are completely out of the context and not in proximity to grief. And they are connected to those experiences with my mom that were not about her dying, but connected me to her and how we lived besdie each other before her diagnosis. Maybe I need to connect the singing to my mom with the singing we used to do together and the singing I do with Rosie? Maybe I also need to add in another italicized fragment about Rosie-as-full-of-life?

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Fragments of Grief, part 2

Here is the second of five fragments that I place beside each other in my experimental essay on living and grieving beside Judith:

The attempt to foreclose that vulnerability, to banish it, to make ourselves secure at the expense of every other human consideration, is surely also to eradicate one of the most important resources from which we must take our bearings and find our way (Undoing Gender, 23).

In Precarious Life, Undoing Gender, and Frames of War, Butler repeatedly emphasizes the importance of grief and vulnerability. She discusses the value of grief in relation to those who have been denied the right to grieve their loved ones and/or have had their own lives considered not worthy of grieving, and therefore not fully human. She also describes how grief, as a state of being and as a non-violent response to others, is urgently needed if we are “interested in arresting cycles of violence” (Precarious Life). Much of Butler’s discussion of grief is in the context of two specific historical, cultural, social events: the AIDS crisis and GLBTQ communities’ inability to grieve their lost loved ones and post 9/11 and the U.S. government’s quick and very violent response to the terrorist attacks in New York City. In these situations grief is the thing needed because grief has been so unjustly or unwisely denied and/or foreclosed.

But, even as Butler devotes considerable attention to specific contexts in which grief needs to be promoted, she has grander aims for how and why we should value grief. She believes that grief is a valuable state to be in and is an important part of what it means to be human. Grief, and the vulnerability and sociality of the self that it reveals, help to guide us as we struggle to develop less violent ways to exist in the midst of/beside others.

I was always so tired. I had been living with my mom’s impending death for 3 years and she was really starting to look bad. My dad warned me that it would probably get a lot worse. My daughter had just turned three and was entering a new phase, the “I hate you” phase. With no warning and for no apparent reason, she would matter-of-factly state, “I hate you.” It was really hard to hear. I wondered, how can I be a good mother when I am sad all of the time? What is it doing to my daughter to live in the shadow of this death and my grief over it? Were her repeated declarations of hate more than a phase that all 3 year olds go through? Was she trying to warn me that I was failing as a mom and remind me that I was more than a daughter losing a mom, but also a mother who needed to care for her daughter?

While I agree that being in a state of grief is valuable and can help to remind us of our vulnerability in the midst of others, it can also place unrealistic and unhealthy demands on us. It is difficult to balance the need and/or desire to grieve with the demand to care for others. Are there other resources, aside from grief, that can guide us as we navigate the difficult terrain of being a daughter losing a mother and a mother raising a daughter?

The first two years of my mom’s terminal illness weren’t too bad. Even though she had been diagnosed with a death sentence (6 months to live), she was able to qualify for surgery and undergo chemotherapy. She experienced a miracle recovery, welcomed two new grandchildren into the world, and traveled to Paris and Sydney. Then the tumor came back. Slowly she deteriorated. First one of her wrists became numb so she couldn’t do any of her artwork. Then her anxiety and the morphine she had been taking daily for two years already made it almost impossible for her to read. Then she started falling down a lot. Suddenly one day she couldn’t walk. My sisters and my dad arranged for hospice at home. We thought she was about to die, but we were wrong. She looked terrible. She couldn’t talk. She could barely eat. She slept a lot. Yet she continued to live. To me she was already gone. I wanted desperately to grieve her loss, but I couldn’t; she was still alive. I was tired of being in a state of grief, yet not able to grieve. Tired of witnessing her suffering and feeling helpless and unable to alleviate it. Four years of waiting, with uncertainty, for her death is a long time.

As someone who has spent the last four years grieving for a mother dying an excruciatingly slow and painful death, I am not interested in mining the ethical and transformative possibilities of grief. I don’t want to keep grieving; I want to stop grieving and I want to think about what other resources I have for guiding me as I attempt to recognize and live with my vulnerability. What about humor, joy or even wonder? Are there ways to think about risking uncertainty and our unknowingness that are not connected to violence and grief as something that is only negative and that always signals loss–-of control, of autonomy, of stability?

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Fragments of Grief, part 1

Here is the first of five fragments that I place beside each other in my experimental essay on living and grieving beside Judith:

…one mourns when one accepts the fact that the loss one undergoes will be one that changes you, changes you possible forever, and that mourning has to do with agreeing to undergo a transformation the full result of which you cannot know in advance (Undoing Gender, 18).

The idea of undergoing a transformation that one cannot know in advance is a central one for Butler and her vision of social transformation. In Undoing Gender, she discusses the value of unknowingness and of not trying to securely and definitively establish one’s plan of action prior to acting (227). For Butler, grief is central to this experience of unknowingness and the risks that we take to maintain and embrace it. Overwhelmed with sadness and exhaustion and unable to compose ourselves or deny our vulnerability to loss, we cannot pretend that we have control or that we can always know with certainty how to act or who we are. In risking unknowingness, we are transformed into individuals who don’t know, but who are willing to act anyway.

Up until the last year, when she could barely speak, my mother and I loved to talk. Frequently our conversations were inspired by my mom’s curiosity and her wonder of the world and ideas. Having been a teacher for over 20 years, she asked lots of questions and always liked to learn more about what I was reading or what I thought. Her curiosity was not motivated so much by a desire to know, but by a desire to feel and experience as many different ways of understanding as she could. She found joy in contemplating the why and how and seemed to be energized by what she didn’t and might never know. Somehow she had held onto that wonder that children seem to have, but often lose as they grow up. I inherited that wonder from her and I witness it in my daughter Rosie J everyday.

To acknowledge that we don’t know, that we are uncertain about how to proceed, doesn’t always produce anxiety and isn’t always best understood in relation to grief. To be open to undergoing a transformation of who one is in ways that one can never anticipate isn’t always to risk unknowingness. It is an invitation to wonder, to be curious and to imagine the world in new and mysterious ways. My experience of being beside my mom as she was dying and then died transformed me, to be sure. But it was more her persistence in life and how she envisioned uncertainty and unknowingness in terms of wonder and joy instead of anxiety and loss that transformed me, not her death and my grief over her loss.

More of my thoughts on this fragment: The idea of not knowing in advance, of being in a state of unknowingness and uncertainty, resonate with me and my project of staying in trouble as a virtue. They also resonate with my earlier work, in my dissertation, on Butler and radical democracy (which emphasizes the unrealizability of democracy).

In an earlier draft of the fragment I added a few more lines about another way to read risking unknowingness: as a form of faith. How does thinking about that risk as faith affect how we read the first part of Butler’s passage: “one mourns when one accepts the fact that the loss one undergoes will be one that changes you…”? What are some other ways to read this acceptance?  Does Butler offer any ways (outside of psychoanalysis, that is)? The idea of rethinking unknowingness as wonder and curiosity could also be read in terms of religion and/or spirituality and faith. Did I mention that I have a BA in religion and an MA in theology, ethics and culture?

Thinking about curiosity in relation to unknowingness and staying in trouble are central to my recent work on troublemaking. I refer to them repeatedly on this blog and even structured my undergraduate class, contemporary feminist debates, around the value of feminist curiosity.

In terms of wonder and its connection to children (which I mention in my brief fragment about my mom and our conversations), I am reminded of what Cornel West has to say about it in an interview with Toni Morrison for The Nation from 2004, entitled, “Blues, Love and Politics”:

I want to come back to your point about immaturity because I want to make a distinction between “childish” and “childlike.” You see, the blues and jazz are childlike, the sense of awe and wonder and the mystery and perplexity of things. “Childish” is immature.

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Structuring my essay with being beside and besides

As I indicated in my previous post, I am struggling with my essay. I got stuck thinking about how to write about Butler’s complicated and highly theoretical notion of grief and its value for politics and political and ethical projects for social transformation. Reading over the manuscript again, I feel like I am getting bogged down in the theory and losing my ability to respond and connect to Butler and grief. The section on Butler and grief seems so disconnected from my introduction of the three Judiths. Then, it came to me; I don’t want to write a straightforward academic paper in which I articulate Butler’s argument concerning grief, making sure to fully contextualize it and to properly present it, and then critically interrogate how it does/doesn’t speak to my own experiences with grief and loss. While I imagine this as a valuable project, it doesn’t fit with what I want to do right now. To write with such an overwhelming academic tone not only encourages abstraction (I am always already too prone to thinking abstractly), but it might discourage a wide range of non-academic readers from engaging with my words. This essay is not only for an academic audience. It is for anyone who reads my blog, it is for my sisters, and, most significantly, it is for the two most important Judiths in my life: my mom and my daughter.

In addition to wanting to ensure that this essay is accessible and compelling, I want to use it to experiment with how to think about my academic self (the one who is most often beside Judith Butler) in relation to the daughter self (the one who is most often beside my mom, Judith Puotinen) and the mother self (the one who is most often beside my daughter, Rosemary Judith Puotinen). My experiences with relating these selves is that they don’t always fit together easily. I frequently find that I can’t and don’t want to integrate them. Yet, even so, they somehow exist together, informing and responding to each other in unexpected ways. I think the idea of being beside and besides is instructive here. To be beside something is not to be the same as or even to be fully integrated/combined/connected to that something; it is to be next to it and/or in addition to it, but to still be connected and not fundamentally separate from it.

I think that my experiences of living with and beside grief exemplify the complicated and contradictory ways in which I negotiate these roles. I want those contradictions and complications to be represented in this text. I want to play with my different voices—voices that aren’t really fragmented or schizophrenic, but aren’t fully connected and integrated–and put them next to each other, but not always in direct conversation with each other. What would it look like to do this? Perhaps my last blog entry provides some clues. In that entry I put big chunks of Butler’s prose next to both my academic explanations and my italicized musing/asides about the texts. Maybe I should keep in the asides, along with a few story fragments of grief as a scholar, daughter and mother. For the purpose of this manuscript, I envision this placing of voices next to each other to be fairly uncomplicated. Maybe I will use different fonts or italics to represent the distinctions. In future versions of this project, I want to experiment even more—STA had a lot of cool suggestions on how to visually represent and place these texts beside each other. I can also imagine it as a wonderful digital storytelling video.

Randomly, I feel compelled to include this quick youtube clip. It makes me laugh, something I always look forward to in the midst of writing/thinking/experiencing grief.

This clip is just one of many; yes, dramatic animals is a youtube genre! I am particularly fond of the dramatic sloth and dramatic lizard.

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Being Beside Oneself with grief, part 2

Right now I am writing about Butler, being beside oneself with grief and being/coming undone. For some reason, this section is giving me a lot of trouble. I think it is partly because it can be easy to get lost in Butler’s theorizing about the subject–I find myself struggling to determine when something is really important and compelling and when it is merely an intellectual exercise.

Here is what I have so far (note: my notes about this section are included in italics):

In Undoing Gender, Butler describes feeling so overwhelmed and overtaken by losing a loved one that we are beside ourselves with grief. Our feelings of sadness and loss become too much to contain and we cannot hold them in. We lose our composure and we can no longer easily or successfully control ourselves. Try as we might to deny it or to be in control of how we experience it, grief undoes our efforts to handle ourselves properly. Butler writes:

I don’t think, for instance, you can invoke a Protestant ethic when it comes to loss. You can’t say, “Oh, I’ll go through loss this way, and that will be the result, and I’ll apply myself to the task, and I’ll endeavor to achieve the resolution of grief that is before me.” I think one is hit by waves, and that one starts out the day with an aim, a project, a plan, and one finds oneself foiled. One find oneself fallen. One is exhausted but does not know why (18).

My use of the word “properly” is deliberate here. In keeping in line with my larger project on troublemaking, I am interested in what it might (or is supposed to mean) to grieve properly. What happens when we fail to do it in the ways that we are supposed to? What is the “proper” way? I am struck by how I feel, even as I constantly hear/read from others that “there is no one way to grieve” or that “everyone grieves differently,” that there are specific expectations–coming from whom?–about what grief should look like. It is important for me to think about the value of grieving improperly–this can be taken up in a lot of different ways, from “proper” rules of grieving etiquette to “proper” modes of caring for and loving the one who is dying/died.

There are all sorts of ways to interpret what it means to be undone and beside ourselves with grief. For example, we can read it as a temporary state, as something that exists fully outside of, or in complete contrast to, our ordinary existence. Or we can read it as evidence of how debilitating and damaging grief is. Or we can even read it as a challenge that is thrown at us in order for us to prove our worth and our strength of character. With all of these interpretations, grief is understood as something to endure, but to be gotten over, preferably as quickly as possible.

Butler’s invoking of the Protestant ethic is great here–makes me think of the idea of getting over it or just dealing with it. I just read, “Good Grief, It’s Plato,” a chapter from Elizabeth Spelman’s excellent book,Fruits of Sorrow. Spelman discusses Plato and his vision of proper grief as moving on and learning from that grief (as opposed to engaging in any excessive displays of grief–like crying or wailing–which is considered to be too womanly/feminizing).

Butler reads coming undone differently. She envisions it as “one of the most important resources for which we much take our bearing and find our way” (Precarious Life, 30) and argues that it reveals an important aspect of what it means to be human. Being beside ourselves with grief, in which sadness and a sense of loss, undoes us, reminds us how we are always already, by virtue of being human, “in the thrall of our relations with others that we cannot always recount or explain,” or, I might add, control, shape, or determine (19). In other words, grief reminds us that we are more than autonomous willful individuals who have complete control over ourselves–how we act, what and when we feel, and how we represent ourselves to others. It also reminds us that we are never just a self; there is always something or someone beside and besides us.

In continuing her description of how grief works, Butler speculates on that something/someone else:

Something is larger than one’s own deliberate plan or project, larger than one’s own knowing. Something takes hold, but is this something coming from the self, from the outside, or from some region where the difference between the two is indeterminable? What is it that claims us at such moments, such that we are not the masters of ourselves? In what are we tied? And by what are we seized (18)?

Butler’s language is significant here. In using tied and seized, she is interested in getting beyond the idea that we merely exist in relation to others, that we are connected to others. Right after this passage, Butler moves into her brief description of being beside ourselves and ecstasy as a better way (than relationally) for understanding how we exist in relation to others. In the interest of staying focused, I am thinking that I shouldn’t include this discussion in this essay. Still not sure…

This something or someone to whom we are tied and to whom we are seized indicates that we are vulnerable beings, always in the midst of others and always potentially undone by those others. We could, and often do, respond to this recognition of our vulnerability with varying degrees of violence: we deny that vulnerability and attempt to shore up our own sense of the invulnerable self, we lash out at those who remind us of that vulnerability, or we attempt to prove, through forceful acts, that we are not really vulnerable, or won’t ever be again. These are not the only possible responses to grief and coming undone, however. Butler wonders,

Is there something to be gained from grieving, from tarrying with grief…and not endeavoring to seek a resolution for grief through violence?…If we stay with the sense of loss, are we left feeling only passive and powerless, as some fear? Of are we, rather, returned to a sense of human vulnerability, to our collective responsibility for the physical lives of one another” (23)?

Here Butler is thinking specifically about the United States government’s response to 9/11 and their violent retribution which she mentions in her chapter in Undoing Gender but really gets into in Precarious Life. Just consider this quotation that is featured on the back cover of that book: “If we are interested in arresting cycles of violence to produce less violent outcomes, it is no doubt important to ask what, politically, might be made of grief besides a cry for war”

For Butler, recognizing our vulnerability and refusing to conceal, contain or get rid of it, is an important task of the ethical (and political) subject-self. It is central to her vision of the human and to her political and ethical projects for social transformation. And is is “one of the most important resources form which we must take our bearings and find our way” (23).

So, that’s it for now. My next section will be about why Butler’s vision/version of grief doesn’t fit with my own experiences.

By the way, I am currently writing this at Overflow Espresso Cafe–a coffee place not to far from the U of Minnesota. It’s pretty cool and relaxing, especially when school is out for the month. Check out STA’s review of the place.

Here’s one more thing I meant to add into this entry earlier. As I was writing this entry, I found myself wondering about semicolons and when and why to use them. STA directed me to this great poster. I think I want it for my office. I love these queer dinosaurs!

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Being Beside Oneself with Grief

I am continuing to document and archive the writing process for my manuscript on grief, loss, and my mother’s death from pancreatic cancer. This is entry four. So far I have written about the title and posted fragments of the essay and my thoughts about it. In this entry, I want to offer up a few more fragments and describe how I will organize the essay. Before moving onto that discussion, I want to document some other details about this process:

It is a beautiful day. Mid-70s, sunny, with a slight breeze. I am listening to Regina Spektor. I began this morning, with my daily latte, writing in the backyard. I used my iPad. Now I am inside the house, in my office. I tried writing this entry on my iPad, but I am having some issues with the WordPress app (by issues I mean that I clicked out of the app briefly to refer back to my manuscript, which was in Pages, and lost my entire entry). As I type these words, I am using my MacBook. Perhaps I just need to get used to the WordPress app, but I can’t be bothered with that at this moment.

Is this more detail than you would like? Or, maybe not the right kind of detail?  I am experimenting with how to document my writing process–what to include, how to insert myself as a person-who-is-writing into this post. What do you think?

So, onto the manuscript. I plan to organize the heart of my essay around two different meanings for beside: a. to be beside oneself with emotion and b. to be beside someone else, keeping vigil and taking care. Right now I am working on (and struggling a little) with the section on being beside oneself. Central to this section is Judith Butler’s ideas about being beside oneself with grief and her valuing of grief/coming undone as “one of the most important resources from which we must take our bearing and find our way” (Precarious Life, 30). Butler argues that being in a state of grief (being overcome with grief, overwhelmed by sadness, losing control, being vulnerable, coming undone) reminds us how we are always already, by virtue of being human, “in the thrall of our relations with others that we cannot always recount or explain,” or, I might add, control/shape/determine (Undoing Gender, 19). For Butler, to be undone by others is a central part of the human experience and grief is one of the primary ways in which we are aware of/experience that undoneness. To fail or refuse to acknowledge that we are undone is to miss something really important (I mention this in entry two here).

While I agree with Butler’s assessment of grief, having experienced coming undone by grief too many times in the past four years, I find it to be lacking. Grief is not the only resource we have for making sense/being reminded of our vulnerability. It is not the only way in which we are beside ourselves. While Butler agrees, and briefly mentions rage and passion in her discussion, she focuses almost exclusively on grief (read as sadness and loss). Some attention needs to be given to these other emotions and how they are not merely additional resources (ones that exist besides grief), but they are resources that exist in the midst of (beside) grief. Here’s another emotion/feeling/affect that I want to add: joy/laughter. In my experiences of being beside the Judiths, my mom and even moreso my daughter have undone me with playfulness and laughter. They have caused me to beside myself with joy as I marvel at the beauty of life instead of the sadness of death. Now, my ideas here are not necessarily in opposition to Butler’s. She has a different project and is placing her ideas of grief and being undone in a different context. Instead, I see my inclusion of joy as another example of beside–I want to place my thinking about being undone in terms of joy/laughter next to Butler’s.

I am still working through how to articulate joy. Somehow I want to connect it to the idea that vulnerability can and should be understood in relation to death. However, it should also be understood in relation to life. Our experiences of grief and joy are not in opposition to each other and don’t occur at different times. They interrupt each other in unexpected ways. Grief/death may interrupt life (and our comfortable, in-control living of it), but life can also interrupt grief/death. Here are a few narrative fragments I want to weave into this section of my essay.

First, one about joy/life unexpectedly happening:

The social worker told us–me and my sisters–that we needed to let our mom know it was okay to let go. We needed to tell her that she had our permission to die, that we were okay with it. My sister planned a big dinner for mom and the three of us readied ourselves for the painful conversation. Just before dinner I turned on some music–The Sound of Music, one of my mom’s (and my) favorite musicals. Spontaneously I, sometimes with my sisters joining in, performed the entire musical. At one point, maybe when I was singing “The Lonely Goatherd” I realized that this was one of those big moments in my life. My mom may have been dying, but she was laughing too. Well, at least her eyes were laughing. And we were all having a lot of fun. At the end of the album, when Mother Superior sings “Climb Every Mountain,” I hit the high note! I mean, I really hit the high note–vibrato and all. We laughed and laughed and then brought my mom her dinner, forgetting all about “that conversation.” Sometimes life interrupts grief, not the other way around. Our best intentions of properly grieving are undone. Our attempts at making sense of how grief is supposed to be are troubled by life’s persistent refusal to stop happening.

Second, one illustrating how life continues, and is not thwarted by, death:

My mom was diagnosed with stage four pancreatic cancer in mid-October 2005. I was around 18 weeks pregnant with Rosie. A few days before I drove to Chicago to see her, maybe for the last time, I had an ultrasound. I found out that my baby was a girl. When I arrived at my parent’s house, I told my mom that she was going to have another granddaughter named after and in honor of her: Rosemary Judith. I was fairly certain that my mom would never meet her; the doctor had indicated that she might only have six weeks left. Six months later, my mom took a break from chemotherapy to visit us and meet her new granddaughter.

As I mentioned above, I’m still not sure what to do with these fragments. In particular, I think there’s more going on in the second one that I readily convey–something more than just the juxtaposition of life with death.

Oh, in case you can’t remember the high note at the end of “Climb Every Mountain,” here it is. And yes, I really did hit it:

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The 3 Judiths

If you have been following my blog recently, you may know that I am currently writing about my experiences of working through/making sense of/troubling my mom’s illness and recent death from pancreatic cancer. This entry is the third in a series (here are part one and part two) in which I document my writing/thinking process. In the second part I wrote about my plan (which was developed as I was writing that entry) to expand my manuscript beyond living and grieving with J Butler to include two more Judiths–my mom, Judith Puotinen and my daughter, Rosemary Judith Puotinen. Since then I have been writing (first in word and now in Pages on my iPad) my manuscript (to be submitted for consideration in one journal’s special issue on mothering, grief and loss). Here is what I wrote yesterday afternoon and this morning:

In many ways, Judith Butler has been a part of my living with and grieving beside my mom. It is not so much that her work has comforted me (although it has), or allowed me to fully make sense of my mom’s illness and death (what could, really?), but that her work has always been a part of this process for me. When my mom was diagnosed I was reading and writing about Precarious Life. When my mom died I had just completed but was unable to give a presentation on Butler, Undoing Gender, and the virtue of staying in trouble. And for much of the time in between those years of diagnosis and death I was reading and thinking about Butler in relation to my own ideas about making and staying in trouble.

But just as Judith Butler has been a part of my living and grieving beside my mom, my mom and her terminal cancer has been a part of my living and grieving beside Judith Butler. My reading of, and subsequent teaching and writing about, Butler has been informed in many different ways by my mom, her illness and my experiences of struggling with her impending death. When I was in the waiting room as my mom’s tumor was being removed and I was writing about the livable life, I wasn’t only thinking about how Butler’s articulation of the livable life would shape my ideas about what was happening to my mom (and to me and the rest of my family); I was thinking about how what was happening to my mom would shape my ideas about Butler’s articulation of the livable life and her larger project about grief. My mom, and her experiences living with and dying from pancreatic cancer powerfully shaped how I read and think about grief and life and the ways in which loss and life undoes us.

To complicate this even further, my living and grieving beside Judith Butler and Judith Puotinen, have been shaped by my experiences as the mother to a third Judith, Rosemary Judith Puotinen. Throughout the past four years my daughter was beside me. I was pregnant with her when my mom was diagnosed with stage four pancreatic cancer and while I was writing my dissertation on Butler. I was breastfeeding and staying up with her almost every night while my mom was recovering from her first round of chemotherapy and as I was teaching about the ethical turn in Butler’s work. I struggled with her frequent (and very typical for a three-year old) “I hate yous” while my mom started falling down too much and as I taught a graduate class on grief and being undone in Butler’s Undoing Gender. And I marveled at her feisty and troublemaking spirit while my mom’s weak body revolted against her almost (but not quite) indestructible spirit and as I began writing about the virtue of troublemaking and troublestaying for an upcoming presentation and on my blog.

…And here is one more excerpt from that same manuscript:

This essay is an experimental attempt at juxtaposing my experiences of living and grieving beside three different Judiths: my mom, Judith Puotinen; my academic subject of study, Judith Butler; and my daughter, Rosemary Judith Puotinen. The purpose of this essay is not to connect these experiences or my narratives of them in any easy or seamless way, but to put them beside each other in the hopes of presenting one person’s tentative and unfinished account of grief, loss, motherhood and the livable (and not so livable) life.

BEING BESIDE: AN ACCOUNT
I will use the notion of beside to organize my juxtaposition of these various narratives. But, what do I mean by beside and how does it speak to my own experiences with my mother’s diagnosis of and death from pancreatic cancer? Perhaps the most obvious way in which to understand my use of beside in this essay is this: Throughout the past four years (the liminal years in-between diagnosis and death), all three Judiths have been a central part of my life. They have literally been beside me, and beside each other, as I have struggled to make sense of and endure grief and impending loss. My engagements with each of these three Judiths occurred at the same time, all in the span of these four years. I was reading and writing about Butler’s notions of grief and the livable life at the same time that I was witnessing both my mom’s awe inspiring display of resistance to and persistence against death and my daughter’s insatiable (and infectious) desire for life. All three of these Judiths–Judith, the author of Undoing Gender; Judith, the mother struggling for a livable life and against death; and Rosemary Judith, the daughter filled with joy and the desire to engage with life–happened in the midst of each other and in the midst of my own engagements with them.

Beside suggests more than the literal meaning of being next to or in the midst of, however. I am currently experimenting with some other meanings of beside and how they might help me to organize my thoughts and this essay. Here are a few other ways I want to think about the beside in my title, “Living and Grieving Beside Judith”:

  • to display intense or excessive emotion, to be beside oneself with grief
  • to keep vigil or persistent watchful care over someone or something–to always be beside or along side of
  • to be next to but not the same as, to exist alongside someone or something that is in proximity to you but to whom you are not reducible
  • to be in addition to, to function as a break from, to be to the side of
  • to be at the edges of something, to be alongside of it but not fully inside or outside of it
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My trouble with mother’s day

and more reflections on writing about grief and life

About two weeks ago, I wrote a blog entry about my mom’s death, Living and Grieving Beside J Butler. That entry was the first of many as I reflect on how to account for/give an account of my experiences living and grieving beside my mother and her terminal cancer.

I don’t have much to say about my trouble with mother’s day other than this: mother’s day caused a lot of trouble for me. I felt undone by the day and its painful reminder of what was missing this year. But this painful reminder is not all bad–what would it have meant if I hadn’t felt my mom’s loss? In Undoing Gender Butler writes:

Let’s face it. We’re undone by each other. And if we’re not, we’re missing something (19).

To not miss my mom would be to miss something even bigger: the possibility that her loss and my grief surrounding it might re-orient my perspective, from an autonomous and in-control self, to a person who not only recognizes my connections to others but acknowledges how those others shape who I am and how I might achieve (or fail to achieve) a livable life. And in a far less abstract way, to not miss my mom would be to miss that she still matters to me and that her illness and death have transformed me in ways that I never anticipated, but that I can never (nor would I want to, even if I could) undo. Hmm…maybe that isn’t any less abstract, huh? Oh well, I am still working on ways to articulate my grief/loss and on how to weave my own stories into my theoretical work.

Wow, apparently I had more to say about mother’s day than I had expected. Now I want to move onto the intended purpose of this blog: further reflections on my manuscript about living and grieving beside Butler. This morning, as I was drinking my latte from Brewberry’s, I had a sudden realization about the title and concept of my essay. “Living and grieving beside J Butler” doesn’t quite capture what I am trying to do. Then it hit me–wait, my mom’s name is Judith too! (Should I be embarrassed to admit this obvious fact? Of course, from the time that I started to seriously reflect on Butler’s work, even before my mom got sick, I recognized that they shared the same first name.) So, I want to change the title of this piece to, “Living and Grieving Beside Judith.” This revelation doesn’t merely signal a title change; it shifts my perspective on the entire essay. I am not only interested in reflecting on how I used/am using Butler’s work to make sense of my experiences with my mom’s terminal illness and death (being beside Judith Butler). I also want to reflect on how I used/am using my experiences with my mom to make sense of Butler’s work and how it fits with my own theorizing about making and staying in trouble (being beside Judith Puotinen). But wait, there’s more. There is another very important Judith in my life–my daughter, Rosemary Judith. She is named after, and in honor of, my mom. I was pregnant with her when my mom was diagnosed and when I was writing my dissertation chapter on Butler and the livable life. Her entire life has been lived beside her nana’s illness and beside me as I experienced my mom’s illness and as I reflect on/write about/teach Butler. So, the Judith in my new title (“Living and Grieving Beside Judith”) refers to three Judiths: my mom, Judith Puotinen; the subject of my teaching/writing work, Judith Butler; and my daughter, Rosemary Judith Puotinen. Then there’s me: the daughter, the scholar, the mom.

I think that this has a lot of potential…

I wrote this entire entry on my new iPad. I am still getting used to the different feel and functionality of it (as compared to my MacBook), but I like it.

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